‘The Elegance of the Hedgehog’ - Muriel Barbery
Miranda July meets J.D. Salinger. This book is absolutely wonderful. Narrated by two fiercely curious and intelligent women, the reader explores art, love, friendship, and meaning in their multi-chapter, short-encounter observations. Some quotes:
‘People aim for the stars, and they end up like goldfish in a bowl. I wonder if it wouldn’t be simpler just to teach children right from the start that life is absurd. That might deprive you of a few good moments in your childhood but it would save you a considerable amount of time as an adult - not to mention the fact that you’d be spared at least one traumatic experience, i.e. the goldfish bowl.’
‘When tea becomes ritual, it takes its place at the heart of our ability to see greatness in small things. Where is beauty to be found? In great things that, like everything else, are doomed to die, or in small things that aspire to nothing, yet know how to set a jewel of infinity in a single moment?’
‘The tea ritual: such a precise repetition of the same gestures and the same tastes; accesion to simple, authentic and refined sensations, a license given to all, at little cost, to become aristocrats of taste, because tea is the beverage of the wealthy and of the poor; the tea ritual, therefore, has the extraordinary virtue of introducing into the absurdity of our lives an aperture of serene harmony.’
‘Thus we use up a considerable amount of our energy in intimidation and seduction, and these two strategies alone ensure the quest for territory, hierarchy and sex that gives life to our conatus. But none of this touches our consciousness.’
‘At times like this you desperately need Art. You seek to reconnect with your spiritual illusions, and you wish fervently that something might rescue you from your biological destiny, so that all poetry and grandeur will not be cast out from the world.’
‘So we mustn’t forget any of this, absolutely not. We have to live with certainty that we’ll get old and that it won’t look nice or be good or feel happy. And tell ourselves that it’s now that matters: to build something, now, at any price, using all our strength. Always remember that there’s a retirement home waiting somewhere and so we have to surpass ourselves every day, make every day undying. Climb our own personal Everest and do it in such a way that every step is a little bit of eternity. That’s what the future is for: to build the present, with real plans, made by living people.’
‘Madame Michel has the elegance of the hedgehog: on the outside, she’s covered in quills, a real fortress, but my gut feeling is that on the inside, she has the same simple refinement as the hedgehog: a deceptively indolent little creature, fiercely solitary - and terribly elegant.’
‘As for me, I implore fate to give me the chance to see beyond myself and truly meet someone.’
‘When movement has been banished from a nature that seeks its continuity, when it becomes renegade and remarkable by virtue of its very discontinuity, it attains the level of esthetic creation. Because art is life, playing to other rhythms.’
‘Children help us to defer the painful task of confronting ourselves, and grandchildren take over from them. Television distracts us from the onerous necessity of finding projects to construct in the vacuity of our frivolous lives: by beguiling our eyes, television releases our mind from the great work of making meaning. Finally, God appeases our animal fears and the unbearable prospect that someday all our pleasures will cease. ‘
‘And I felt extraordinarily happy. It’s the first time in my life that I’ve met someone whose fate is not predictable, someone whose paths in life still remain open, someone who is fresh and full of possibility.’
‘We need not search, our eye locates the form that will elicit a feeling of consonance, the one particular thing in which everyone can find the very essence of beauty, without variations or reservations, context or effort.’
‘It (Art) gives shape to our emotions, makes them visible, and in so doing, places a seal of eternity upon them, a seal representing all those works that, by means of a particular form, have incarnated the universal nature of human emotions.’
‘Entrusting one’s life is not the same as opening up one’s soul, and although I love Manuela like a sister, I cannot share with her the things that constitute the tiny portion of meaning and emotion that my incongruous existence has stolen from the universe.’
‘We know that we are beasts who have this weapon for survival, and that we are not gods creating a world with our own thoughts, and something has to make our own wisdom bearable, something has to save us from the woeful eternal fever of biological destiny. Therefore, we have invented art.’
‘The eye recognizes a shared form to which both belong, and that is Beauty.’
‘Should you devote your time to teaching, to producing a body of work, to research, to Culture? It makes no difference. The only thing that matters is your intention: are you elevating thought and contributing to the common good, or rather joining the ranks in a field of study whose only purpose is its own perpetuation, and only function the self-reproduction of a sterile elite - for this turns the university into a sect.’
‘If you have but one friend, make sure you choose her well.’
‘Because beauty consists of its own passing, just as we reach for it. It’s the ephemeral configuration of things in the moment, when you can see both their beauty and their death.’
‘Oh my gosh, I thought, does this mean that this is how we must live our lives? Constantly poised between beauty and death, between moment and its disappearance? Maybe that’s what being alive is all about: so we can track down those moments that are dying.’
‘When did I first experience the exquisite sense of surrender that is possible only with another person? The peace of mind one experiences on one’s own, one’s certainty of self in the serenity of solitude, are nothing in comparison to the release and openness and fluency one shares with another, in close companionship.’
‘This morning I understand what it means to die: when we disappear, it is the others who die for us, for here I am, lying on the cold pavement and it is not the dying I care about; it has no more meaning this morning than it did yesterday. But never again will I see those I love, and if that is what dying is about, then it really is the tragedy they say it is.’
‘Thinking back on it, this evening, with my heart and my stomache all like jelly, I have finally concluded, maybe that’s what life is about: there’s a lot of despair, but also the odd moment of beauty, where time is no longer the same. It’s as if those strains of music created a sort of interlude in time, something suspended, an elsewhere that had come to us, an always within never.’





